I was blessed to move to Los Angeles last year at the end of September 2022. As many of the Old Masters once painted the buildings and sculptures in the parks and squares of cities they lived, I have endeavored to do so in reverence to them.
Title Guarantee and Trust Company Building – watercolor on paper, Oct. 2022
In an attempt to cure my insatiable love of Art Deco buildings, I visited Pershing Square. The Title & Trust building is an Art Deco gem situated off the square, named after prestigious WW1 General Pershing himself, mastermind of the Argonne Forest Campaign. In this watercolor, I did not do any underdrawing with pencil or pen and painted this with the brush from observation with no reference photographs. This process increases dexterity with the brush and better economy of line with each brush stroke.
View from Pershing Square Two – watercolor on paper, Oct. 2022
Pershing Square was redesigned by Ricardo Legorreta in the 1990s and these elegant, orange spheres feature prominently in the square vibrant new look.
A photograph of the Title Guarantee and Trust Building with Orange Sphere in foreground
I recently finished remodeling my +650 sq. ft. bungalow with a new style I created called “Zen Deco”, which combines the art deco style of 1920s &30s with a Zen Shinto shrine aesthetic. These are a few preparation drawings and floor plans I drew during the project.
My artsist studio with final sealer/varnish on floors – Aug. 2022
L’Aurora (The Aurora) is a large Baroque ceiling fresco painted in 1614 by Guido Reni for the Casino, or garden house adjacent to the Palazzo Pallavicini-Rospigliosi, in Rome. I created this gif to illustrate better the geometric structure underlining Reni’s beautiful sweeping forms of gods, goddesses and angels in the glorious gold-filled dawn.
The Baroque was known for dynamic movement and triangle compositions that seemed larger than life yet replaced the idealism of the renaissance with something more akin to the drama of an opera (which also became hugely popular around the same time in the 17th century). Below is another of my favorite Reni paintings, Susanna and the Elders (1620-25). The Susanna painting also uses a fantastic composition with powerful axial movements galore.
Susanna and the Elders, Guido Reni / 1620-25
When I was in art school at Pratt, we had several assignments requiring us to select an Old Master painting to break down axially. Any significant curve, line, or other shapes that define the big moves of colors or a figure in the image can be broken down this way. Our professor had us take tracing paper and draw out the significant axial movements with different colored pens or markers directly over a printout of the original painting. These exercises helped me to understand the deeper essence of composition and our class looked at Baroque paintings in particular for their use of balancing diagonals with triangles for a dynamic yet balanced and compositionally strong image. I still make these from masterworks for inspiration and historical allusions in my artwork.
I found some old images of some paintings I was commissioned to do for a band from Dallas area named, “The Pajammas” way back in 2011. The album is actually still for sale on bandcamp. Check out the inside cover and back after the cover below.
Oil on Bristol, 2014 – This was painted from observation from a tarnished silver tea set that I inherited when my grandma Dot passed away more than a decade ago.
This is an old color study that I found while reorganizing some of my old portfolios. I will post some more old gems and rarities like this in the enminent future, especially ones that have never been posted or never have left the studio/sketchbook. This teapot was from an old knock-off silver set my grandmother gave me when she passed away. She raised my brother and I almost by herself, so she was very much like a mother to me. So, even though it is not worth much in a monetary sense, it is worth more than the Sun and the Moon for me personally.
She wasn’t big on Art, but she always believed I could be a great artist if I put my all into the brush she would say. We lost her almost ten years ago when I was only in high school. Grandma Dot is what I used to call her, short for Dorothy. She also turned me on on of my favorite painters even nowadays, John Signer Sargent. Can you see the influence of Sargent in the wet on wet oil style and color filled highlights?
I am also considering making a series of short videos that discuss my studio process and my major influnces from the Old Masters of Art History. I think combining some old works from sketchbooks and portfolios that have not seen daylight in quite some time with historical influnces would be a good way to showcase some of my old work while also informing my artistic peers and the public at large about important works of art/artists that they may have unintentionally neglected or could further their apperication.
Open valley Dolomites
“The Daughters of Edward Darley Boit” by John Singer Sargent, American, 1882 (Museum of Fine Arts Boston)
Mr. and Mrs. I. N. Phelps Stokes by John Singer Sargent, oil painting, 1897
Lord Ribblesdale
Bedouins 1905
Karer See 1914
Corfu Lights 7 Shadows
Genoa – The University
Ships Venice 1904
Simplon Pass Reading, 1911
VeniceUndertheRialtoBridge 1909
VillaDiMarilaLuccaFountain 1910
Gallery of paintings by one of my favorite Painters by John Singer Sargent – I have studied his work immensely since I started painting 15 years ago esp. with regard to technique and process
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