america – M. Szal

I have been working on a new series of oil paintings of the Presidents of the United States. I read the books The Hardest Job in the World: The American Presidency and The Imperial Presidency to gain some background insight into the topic.

Greg Dow of Dow Art Gallery in Fort Worth, Texas

My old boss and mentor, Greg Dow, instilled my love of America inside my character. His father collected Lincoln pictures and memorabilia, some of which I helped restore when I worked for him at Dow Art Gallery (the oldest art gallery in Texas). I will likely dedicate my Lincoln picture to them both since, after Pratt, it was Mr. Dow that really taught me how to paint on a professional level. He gave me a job in 2011 when Roman was born and I thought my life was over since I had to leave New York City. Thankfully, he helped me realize it was only the beginning. I would never have been able to have my first big show at Fringe Art Gallery without his help/connections.

Video of my oil painting process

This is a video with some process footage of my painting the first picture. George Washington was in the British Army before the Revolutionary War, so I painted him in a younger version and then painted over in the older version. All the pictures are in oil paint on canvas boards, which are 12 inches by 12 inches. I added a hand to the portrait holding some cherries since George Washington could not lie to his father about chopping down the cherry tree. Yet, I have not taken any pictures of this latest stage.

The American Game – Suit of Hearts

The above image is a highlight reel of the 13 cards encompassing the entire hearts suit. I have decided to go back to the original design for the suit symbols (the previous version had outlines for each symbol instead of solid-filled). I made my first deck more than five years ago, using a plain bicycle deck and spending a lot of time drawing and painting directly on each card. After the ink and watercolor dried, I laminated the cards so the colors/images would not deteriorate with excess shuffling.

It is refreshing to work on a large design project with such a fascinating concept for the entire deck. Yet, each card is designed one at a time and requires a lot of dancing with compositions and colors. I have been looking at different printing companies, yet since the deck has a spiritual/metaphysical component, it is essential to use the best materials. The use of such old emblems from 5 centuries ago was to give the deck a timeless and mystical quality that seems to contain some ancient, forgotten truth or wisdom. The images felt very familiar when I first looked at the Rider-Waite Tarot Deck. After reading ‘The Pictorial Key to the Tarot‘ by Waite, I started to appreciate how much deeper each card could be dissected and the deck’s use of symbols/visual metaphors. I am considering writing a booklet to include with each deck that explains which card represents which thing beyond the surface level place or zodiac sign.

Even if the decks take a while to sell, they have a long shelf life. The residual income will help support my creative projects and eventually fund my philanthropic aspirations. After the deck is sent to the printers, I plan to start a series of oil portraits of all the Presidents of the United States, from Trump to Washington.