When I moved to Schenectady, the first job I could find was at Harbor Freight. Luckily, after a few months, I found a shop to work as a mechanic called Warren Tire. I have worked at Warren Tire since April and have been very happy there. I haven’t been able to work on my animated series, The Flying Dutchess, as much as I would prefer. Yet, I have completed the new version of the Oliver Cromwell character.
My representative character, Ace Malagurio, has a new companion animal. His name is Hals, and he is a Dutch Rabbit that rides at the back of Ace’s broom while he flies around.
After moving from South Carolina to New Orleans in 2018, back to DFW in 2020, to California in 2022, and briefly back to DFW last year – I have decided to move to Upstate New York for a while to be closer to my mother here and her family.
It is nice to be back in the Empire State. I lived in Brooklyn in 2010-2011 while attending Pratt, the Art and Design school. Although, Upstate is quite different than The City (quite a bit colder).
The move will afford the opportunity to continue my work on The Flying Dutchess and focus on my animation career. I started a part-time job in retail and have met several new friends.
I recently finished remodeling my +650 sq. ft. bungalow with a new style I created called “Zen Deco”, which combines the art deco style of 1920s &30s with a Zen Shinto shrine aesthetic. These are a few preparation drawings and floor plans I drew during the project.
My artsist studio with final sealer/varnish on floors – Aug. 2022
Oil on Bristol, 2014 – This was painted from observation from a tarnished silver tea set that I inherited when my grandma Dot passed away more than a decade ago.
This is an old color study that I found while reorganizing some of my old portfolios. I will post some more old gems and rarities like this in the enminent future, especially ones that have never been posted or never have left the studio/sketchbook. This teapot was from an old knock-off silver set my grandmother gave me when she passed away. She raised my brother and I almost by herself, so she was very much like a mother to me. So, even though it is not worth much in a monetary sense, it is worth more than the Sun and the Moon for me personally.
She wasn’t big on Art, but she always believed I could be a great artist if I put my all into the brush she would say. We lost her almost ten years ago when I was only in high school. Grandma Dot is what I used to call her, short for Dorothy. She also turned me on on of my favorite painters even nowadays, John Signer Sargent. Can you see the influence of Sargent in the wet on wet oil style and color filled highlights?
I am also considering making a series of short videos that discuss my studio process and my major influnces from the Old Masters of Art History. I think combining some old works from sketchbooks and portfolios that have not seen daylight in quite some time with historical influnces would be a good way to showcase some of my old work while also informing my artistic peers and the public at large about important works of art/artists that they may have unintentionally neglected or could further their apperication.
Open valley Dolomites
“The Daughters of Edward Darley Boit” by John Singer Sargent, American, 1882 (Museum of Fine Arts Boston)
Mr. and Mrs. I. N. Phelps Stokes by John Singer Sargent, oil painting, 1897
Lord Ribblesdale
Bedouins 1905
Karer See 1914
Corfu Lights 7 Shadows
Genoa – The University
Ships Venice 1904
Simplon Pass Reading, 1911
VeniceUndertheRialtoBridge 1909
VillaDiMarilaLuccaFountain 1910
Gallery of paintings by one of my favorite Painters by John Singer Sargent – I have studied his work immensely since I started painting 15 years ago esp. with regard to technique and process
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